![]() ![]() Wilson’s interaction with this research led her to realize that science in general, and ecology in particular, seeks to identify patterns (and changes in patterns) over time. The study involves deliberately placing a number of tagged logs in a wide variety of locations in and around the streams that run through the forest in order to test the effect species and size of logs have on decomposition and nutrient cycling processes. During her residency, Wilson had the opportunity to observe scientists from Oregon State University’s Department of Forestry, who are currently in the 30 th year of a 100-year log decomposition study. Andrews, a 16,000 acre long-term research site which is located in the Western Cascades east of Springfield, Oregon. The genesis of the project lies in Wilson’s experience as an artist-in-residence at H.J. It also examines the nature of perception, and the idea that by studying phenomena, we change them. Andrews Experimental Forest over time, this series of paintings represents a seamless merger of art and science as it throws into high relief the pivotal role of change in ecosystems. In its measured and diligent investigation of minute, incremental changes in light levels at a specific site in the H.J. SOLSTICES AND EQUINOXES: PAINTINGS BY LEAH WILSON The middle panel changes in width to accommodate the remaining time in the middle of the day. The first and third panels show the colors samples for the first and last three hours of the day, respectively. The resulting patterns show an “absolute value” of light and color change during the day, rather than what we would experience in person as our eyes and brains constantly adjust our sensory perception.Įach season’s painting consists of three panels. Those colors create the rhythm of color and light changes experienced throughout the day, and they also create the composition of the painting. The colors of the white rock are depicted in the four white bands that run the length of the paintings.įorty colors were sampled from the same locations on each of the photographs. The white rock acts as a neutral constant to allow me to see the turbidity of the water compared to the water’s color as it was affected by the creek bed and reflections. Beginning at sunrise, I took a photograph of the creek with my white rock in the center of the image in ten-minute intervals, ending at sunset. ![]() Andrews Experimental Forest, on the Solstices and Equinoxes. Solstices & Equinoxes follows color and light changes from sunrise to sunset at the same location in Watershed 2, a tributary of Lookout Creek in the H.J. ![]()
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